Sounding Singapore: Sound as cultural heritage
The paper will present the findings of a small-scale study done to ascertain Singapore’s soundmarks and the place and meaningfulness of sound in Singapore society. I critically evaluate the significance of these findings in relation to Singapore’s cultural and political economy and the population’s lived experiences. The paper will also examine sonic events that reveal how sound’s regard impacts the cultural and political lifeworlds (Lebenswelt) of Singaporeans. An oft neglected phenomenon in Singaporeans’ lived experience sound inevitably informs, influences and dictates Singapore’s social, cultural and political identity.
(Re)sounding universals: The politics of listening to Peter Brook's Battlefield
Elephant head on white body: Reflexive interculturalism in Ganesh versus the Third Reich
Spectres of Shakespeare: Ong Keng Sen’s Search: Hamlet and the intercultural myth
Located within the myth of Shakespeare’s universality is a belief in the power and poeticism of his language. If we acknowledge Richard Eyre’s assertion that ‘the life of the plays is in the language’, what becomes of this myth when Shakespeare is ‘transferred’ across cultures? What happens to Shakespeare’s ‘universality’ in these cultural re-articulations? Using Ong Keng Sen’s Search Hamlet (2002), this paper examines the transference of myth and/as language in intercultural Shakespeares. It posits that intercultural imaginings of Shakespeare can be said to expose the hollow myth of universality yet in a paradoxical double-bind reify and reinstate this self-same myth.
Moving cage: Vibration, sonification and the quanta of time
Dear John is an experimental choreomusical work that reinterprets Cage's works while advancing his ideas of sound as sonic events and embodied choreography. In this episodic work, improvised movement unfolds to a soundscape of defamiliarized instruments, sound devices and sonicities of macro- and micro-movements. The correspondence and (in)congruence between dance movements and music's kinetic energy become the means to examine a politics of the body and sound, of music on movement. Additionally, in this ‘auditory architecture’ the quanta of time, its relations and (lack of) unity are exposed. This article then examines the intersubjective interplay of movement and music, body and sonicity; it considers the resonance of the performing body as intermaterial vibration and how this invites a sonic politics of relational possibility. The article will then also investigate the ways in which the interaction of motion and music, movement and stillness engenders experiences of time's indeterminacy and elasticity.
"In the shoes of another": Immersive technology for social and emotional learning
There has been increasing use of interactive technologies in the classroom today and a rising popularity of employing virtual environments as a means to engage students in sensorially rich contexts for more embodied forms of experiential learning. In particular, virtual reality (VR) or immersive virtual environments (IVEs) facilitated by head-mounted displays (HMDs) have been used in the teaching of subject content such as history, geography and science. This article presents the findings of an exploratory study of immersive technology, specifically immersive virtual environments (IVES), for the purpose of social and emotional learning (SEL), in the context of Character and Citizenship lessons in the Singapore classroom. The social and emotional competencies (SECs) examined in this project were specifically empathy and perspective-taking, and responsible decision-making. The study involved a sample of n = 75 students from a cohort of students in a Singapore school, averaged at 15 years of age. Students were randomly divided into three treatment conditions: IVEs, pen-and-paper mental simulation and video-viewing. Each treatment contained a problem scenario, told from a first-person perspective, involving a social and ethical dilemma young people today face. A quasi-experimental, pre-test post-test, non-equivalent group design was employed, and the study adopted a mixed-method approach to data collection. The findings reveal that IVEs are not necessarily more effective than the “pen-and-paper” and video viewing approaches to teaching SECs but they can better facilitate perspective-taking and empathy for a higher percentage of students.
Teaching social-emotional learning with immersive virtual technology: Exploratory considerations
Virtual Reality (VR) and Immersive Virtual Environments (IVEs) are increasingly becoming employed in the classroom to facilitate embodied forms of experiential learning in sensorially rich contexts. This chapter presents the findings of a study conducted with 15-year-old students in a Singapore school. The study evaluated the effectiveness of IVEs as a novel pedagogical approach to the teaching of social and emotional competencies, in the context of Character and Citizenship Education; it sought to ascertain if the affordances of VR and IVEs—immersion, presence and embodiment—when accompanied by real-world narratives would facilitate greater empathy, perspective-taking and responsible decision-making. Students were divided into three treatment conditions: IVEs, “pen-and-paper” mental simulation and video-viewing, and each treatment contained a problem scenario that involved an ethical dilemma young people in Singapore today face. A quasi-experimental, pre-test post-test, non-equivalent group design was employed and the study adopted a mixed-method approach to data collection. The findings show how IVEs can effectively facilitate perspective-taking and empathy, and this is due to its ability to immerse the user in the fictional space of the narrative, thereby encouraging a deeper sense of presence and embodiment.