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A comparative analysis of Hindemith's and Persichetti's band symphonies from a neoclassical perspective
Abstract
Paul Hindemith's Symphony In B flat for Band (1951) and Vincent Persichetti's Symphony No. 6 for Band (1956) are two of the most important works written for the wind band. Though they are commonly performed, scholarly interest in both works are limited, largely restricted to writers from the band community. In particular, the neoclassical elements of both works are largely undiscussed. Although they do not strictly belong to the neoclassical tradition, there are several neoclassical traits present in both works. This dissertation compares and contrasts both works, noting the neoclassical aspects of both works in the process. A range of analytical techniques will be drawn upon, including harmonic, voice-leading, motivic and formal analysis. Various compositional parameters - harmony, melody, form, orchestration and texture - will be analysed in detail, and the relationships between each of these parameters discussed. This study reveals that though both composers looked back to the past, their eventual musical products were distinctively different. Essentially, their differences stem from the fact that whilst Hindemith's neoclassical aesthetic leaning was very much of the Germanic tradition, Persichetti's showed influences of French Neoclassicism.
Date Issued
2008
Call Number
MT135 Tan
Date Submitted
2008